![]() Thanks to Suzana Varvarica for lending me this issue to scan it. The issues of PamorART are very hard to find–hence my desire to make them widely available to researchers. It’s also a tribute to the important work done by the longstanding research staff of the gallery (including Eleni, Suzana, and Ylli)–work that I think is seldom recognized. ![]() ![]() This post continues a series of scans of the issues of PamorART , a magazine published by the National Gallery of Arts in Tirana, during Gëzim Qëndro’s time as Director. The editor-in-chief of the publication was Eleni Laperi, and its editorial staff included Suzana Varvarica Kuka, Ylli Drishti, and Edi Muka. PamorART began publication in 1998, and was a crucial reflection of the artistic and cultural scene in Albania in the late 90s, providing a specialized venue for discussion and critical assessment of the visual arts in the country. PamorART holds a tremendous significance for histories of contemporary Albanian art, since it is one of the few publications where we can get a glimpse of the relationship between the developing post-socialist and post-1997 art scene, in dialogue with the central artistic institution in the country, the National Gallery.
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